| Line | Despite their many differences of temperament and |
| of literary perspective, Emerson, Thoreau, Hawthorne, |
| Melville, and Whitman shared certain beliefs. Common |
| to all these writers is their humanistic perspective. |
| (5) | Its basic premises are that humans are the spiritual |
| center of the universe and that in them alone is the |
| clue to nature, history, and ultimately the cosmos. |
| Without denying outright the existence of a deity, this |
| perspective explains humans and the world in terms |
| (10) | of humanity. |
| This common perspective is almost always |
| universalized. It emphasizes the human as universal, |
| freed from the accidents of time, space, birth, and |
| talent. Thus, for Emerson, the “American Scholar” |
| (15) | turns out to be simply “Man Thinking,” while, for |
| Whitman, the “Song of Myself” merges imperceptibly |
| into a song of all the “children of Adam,” where “every |
| atom belonging to me as good belongs to you.” |
| Also common to all five writers is the belief |
| (20) | that self-realization depends on the harmonious |
| reconciliation of two universal psychological |
| tendencies: first, the self-asserting impulse of |
| the individual to be responsible only to himself or |
| herself, and second, the self-transcending impulse |
| (25) | of the individual to know and become one with |
| that world. These conflicting impulses can be seen |
| in the democratic ethic. Democracy advocates |
| individualism, the preservation of the individual's |
| freedom and self-expression. But the democratic self |
| (30) | is torn between the duty to self, which is implied by |
| the concept of liberty, and the duty to society, which |
| is implied by the concepts of equality and fraternity. |
| A third assumption common to the five writers is |
| that intuition and imagination offer a surer road to |
| (35) | truth than does abstract logic or scientific method. It |
| is illustrated by their emphasis upon introspection— |
| their belief that the clue to external nature is to be |
| found in the inner world of individual psychology—and |
| by their interpretation of experience as, in essence, |
| (40) | symbolic. Both these stresses presume an organic |
| relationship between the self and the cosmos of |
| which only intuition and imagination can properly take |
| account. These writers’ faith in the imagination and |
| in themselves led them to conceive of the writer as a |
| (45) | seer. |