Line | It is an odd but indisputable fact that the |
seventeenth-century English women who are | |
generally regarded as among the forerunners of | |
modern feminism are almost all identified with the | |
(5) | Royalist side in the conflict between Royalists and |
Parliamentarians known as the English Civil Wars. | |
Since Royalist ideology is often associated with the | |
radical patriarchalism of seventeenth-century | |
political theorist Robert Filmer—a patriarchalism | |
(10) | that equates family and kingdom and asserts the |
divinely ordained absolute power of the king and, | |
by analogy, of the male head of the household— | |
historians have been understandably puzzled by the | |
fact that Royalist women wrote the earliest | |
(15) | extended criticisms of the absolute subordination |
of women in marriage and the earliest systematic | |
assertions of womens rational and moral equality | |
with men. Some historians have questioned the | |
facile equation of Royalist ideology with Filmerian | |
(20) | patriarchalism; and indeed, there may have been |
no consistent differences between Royalists and | |
Parliamentarians on issues of family organization | |
and womens political rights, but in that case one | |
would expect early feminists to be equally divided | |
(25) | between the two sides. |
Catherine Gallagher argues that Royalism | |
engendered feminism because the ideology of | |
absolute monarchy provided a transition to an | |
ideology of the absolute self. She cites the example | |
(30) | of the notoriously eccentric author Margaret |
Cavendish (1626–1673), duchess of Newcastle. | |
Cavendish claimed to be as ambitious as any | |
woman could be, but knowing that as a woman she | |
was excluded from the pursuit of power in the real | |
(35) | world, she resolved to be mistress of her own |
world, the immaterial world that any person can | |
create within her own mind—and, as a writer, on | |
paper. In proclaiming what she called her | |
singularity, Cavendish insisted that she was a | |
(40) | self-sufficient being within her mental empire, the |
center of her own subjective universe rather than a | |
satellite orbiting a dominant male planet. In | |
justifying this absolute singularity, Cavendish | |
repeatedly invoked the model of the absolute | |
(45) | monarch, a figure that became a metaphor for the |
self-enclosed, autonomous nature of the individual | |
person. Cavendishs successors among early | |
feminists retained her notion of womans sovereign | |
self, but they also sought to break free from the | |
(50) | complete political and social isolation that her |
absolute singularity entailed. |
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